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Official figures classify some fifty million of the world’s people as 'victims of forced displacement'. Refugees, asylum seekers, disaster victims, the internally displaced and the temporarily tolerated - categories of the excluded proliferate, but many more are left out of count. In the face of this tragedy, humanitarian action increasingly seems the only possible response. On the ground, however, the 'facilities' put in place are more reminiscent of the logic of totalitarianism. In a situation of permanent catastrophe and endless emergency, 'undesirables' are kept apart and out of sight, while the care dispensed is designed to control, filter and confine. How should we interpret the disturbing symbiosis between the hand that cares and the hand that strikes?

After seven years of study in the refugee camps, Michel Agier reveals their 'disquieting ambiguity' and stresses the imperative need to take into account forms of improvisation and challenge that are currently transforming the camps, sometimes making them into towns and heralding the emergence of political subjects.

A radical critique of the foundations, contexts, and political effects of humanitarian action.

• Sales Rank: #649972 in Books
• Published on: 2011-01-25
• Original language: English
• Number of items: 1
• Dimensions: 9.10" h x .85" w x 6.10" l, .96 pounds
• Binding: Paperback
• 300 pages

Review
"One of the most important books on humanitarian assistance to emerge in several years."
Choice

"An impassioned and tireless explorer of 'useless' and hence 'undesirable' populations, Michel Agier asks here about their future: how can they be returned to the human family, brought back from non-existence into the social world, from the camp to the town, from a life without time into history? How can they rediscover a place on the map of the world, and pass from the status of reject to that of subject? Urgent and indispensable reading for all who reflect on action to be taken, or are called on to take such action."

Zygmunt Bauman

From the Back Cover
Official figures classify some fifty million of the world’s people as 'victims of forced displacement'. Refugees, asylum seekers, disaster victims, the internally displaced and the temporarily tolerated - categories of the excluded proliferate, but many more are left out of count. In the face of this tragedy, humanitarian action increasingly seems the only possible response. On the ground, however, the 'facilities' put in place are more reminiscent of the logic of totalitarianism. In a situation of permanent catastrophe and endless emergency, 'undesirables' are kept apart and out of sight, while the care dispensed is designed to control, filter and confine. How should we interpret the disturbing symbiosis between the hand that cares and the hand that strikes?

After seven years of study in the refugee camps, Michel Agier reveals their 'disquieting ambiguity' and stresses the imperative need to take into account forms of improvisation and challenge that are currently transforming the camps, sometimes making them into towns and heralding the emergence of political subjects.

A radical critique of the foundations, contexts, and political effects of humanitarian action.

About the Author
Michel Agier is an anthropologist and director of studies at the Institut de Recherche pour le Developpement and the Ecole des Hautes Etudes en Sciences Sociales.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Best book on the refugee issue,
By AOC
A great book, very relevant for the situation today

0 of 1 people found the following review helpful.
Five Stars
By Gu�n�
Very happy with the purchase

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• Sales Rank: #178198 in Books
• Published on: 2008
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• Sales Rank: #1390341 in eBooks
• Published on: 2013-12-16
• Released on: 2013-12-16
• Format: Kindle eBook

About the Author
Potter-Efron is a clinical psychotherapist in private practice whose specialty is anger management. A certified alcohol and drug counselor.

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Jalizar, City of Thieves, the Rotten Flower of the North, is revealed to your eyes in this book! In its pages, you'll learn the seedy ways of the Thieves' Guild. You'll smuggle goods into the city, fooling the Copper Helms, the corrupt city watch of Jalizar, vie for power with the Merchant Houses or, if you are really bold, venture into the dark Sewers of Jalizar where an age-old evil lurks undisturbed. Twenty new Edges, new trappings and tweaks for the arcane backgrounds, an additional list of gear, and much more await you in this book! So sharpen your dagger, put on your black cloak, and step outside into the dark alleys of the City of Thieves!!

• Sales Rank: #1257950 in Books
• Brand: Studio 2 Publishing
• Published on: 2013-10-01
• Dimensions: .65 pounds
• Binding: Perfect Paperback
• 200 pages

Features

• Package Quantity: 1
• Excellent Quality.
• Great Gift Idea.
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3 of 3 people found the following review helpful.
Very enjoyable
By Jetpack
I actually like Jalizar better than Shelzar, the clear inspiration for Jalizar. I know this is heresy, but hear me out.

Jalizar has a fun, bizarre in spots, history. I enjoyed the way it was told, and look forward to revealing a bit at a time. There is a huge secret in Jalizar, which finding out about and facing would make an epic campaign.

There are some new edges and hindrances, designed mostly for a native.

I enjoyed the GM tips and information on the factions and how to make a location memorable.

The sewers get a well deserved chapter.

Even if you don't want to run a Beast and Barbarians game, I'd really consider picking this up to drop in another fantasy world. It's that good.

0 of 0 people found the following review helpful.
Great Addition to the B&B line.
By John P Van Winkle
GRAmel put out a great supplement for Beasts & Barbarians. This is no splat book, but a great addition of setting and lore for your B&B game. Even if you never end up using it, it's a fun read.

0 of 0 people found the following review helpful.
Great source of Ideas
By Eric McDaniel
It's perfect for the setting, with plenty of tidbits for getting your creative juices flowing. Would have liked more detail, but for what you pay for it's very well done.

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[Q392.Ebook] Download A History of the Woodburytype, by Barret Oliver

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A History of the Woodburytype, by Barret Oliver

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In 1864 Walter Bentley Woodbury introduced a process for mechanically reproducing photographs that changed forever the way the world looked at images. Aesthetically beautiful, permanent and infinitely reproducible, the Woodburytype was the first process used extensively to photographically illustrate books, journals, museum catalogs, magazines and even campaign materials. More than a century after its heyday the Woodburytype stands as a pinnacle of photographic achievement. This book traces the history of Woodbury's process from the early technology and experiments to its commercial success and domination of the illustration field, and further to attempts to adapt it to industrialized methods, and finally, to its eventual disuse. Also covered is the story of how Woodbury overcame daunting personal odds to bestow this beautiful photographic process upon the world.

• Sales Rank: #2942096 in Books
• Published on: 2007-06-30
• Original language: English
• Dimensions: 10.25" h x 7.25" w x .75" l,
• Binding: Hardcover
• 193 pages

Review
Clearly, Barret Oliver s book on the Woodburytype, one of the most beautiful and durable of all photographic processes, and the life of its inventor, is the product of exhaustive research. His extensively illustrated book displays a thorough understanding of a complicated process and its antecedents, of its place in the history of the medium, and of photographic and printing processes in general. A useful guide to identifying Woodburytypes and an extensive bibliography accompany his lucid expositions. Bravo! Gordon Baldwin, Retired Associate Curator of Photography --J. Paul Getty Museum

Oliver thoroughly researched history explains how the Woodburytype process works, why it was used for such a short time, and why it eventually disappeared in spite of its being called by photo historian J. S. Mertle the most beautiful photographic reproduction process ever invented. --Maine Antique Digest

Long overdue, this book is essential reading for scholars, historians, collectors, dealers and photographers alike. An astute and thoroughly researched account of the mechanics and history of the Woodburytype process. A tremendous contribution to the field. Julian Cox, Curator of Photography --Chief Curator of the de Young Museum

About the Author
Barret Oliver lives in Los Angeles where he works as a photographer and printer and is known for his use of nineteenth century processes. His print work has been featured in gallery and museum exhibitions, publications and motion pictures. Oliver s research into the Woodburytype grew out of an extensive working knowledge of early photographic technology and his successful experiments in reproducing Woodbury prints.

Most helpful customer reviews

141 of 187 people found the following review helpful.
This thing never ends.
By The Real
Before starting this review, I have to confess, although I once read a copy of this book, I didn't actually pay for it. Allow me to explain.

After finding an impressive, ornate wood-bound copy of "The History of the Woodburytype" (likely the only one of its kind) on a shelf in a local bookstore, I immediately picked it up and started leafing through its pages. Oddly, the curator of the establishment saw me looking through it and rushed over to tell me it was "not safe". "But it's just a history of one of the most beautiful and durable of all photographic processes, and the life of its inventor, Walter B. Woodbury!", I protested. "How can a book like that not be safe? It's not like it has flying dragons in it, or it's going to suck me into an alternate dimension where I become a part of the narrative." But he wouldn't answer.

I dug into my pocket to pay for the book but, finding only a few pennies and a green Skittle, I was brokenhearted that I wouldn't be able to dive into the fantasy world of chromated gelatin film and photo negatives, but resigned to my fate. When suddenly, something inside me took over. I left a note to the bookseller promising to return it, grabbed the book, and sprinted for the door, never looking back.

It was raining that day, as I nestled into my attic, Walter Woodbury's life and accomplishments in my lap, eating my PB&J and apple my mother had packed for me. I followed Walter from Australia to the Far East, from Java and back to London, almost hoping that this was a story that would never end. As I reached the final page, lo and behold, Walter B. Woodbury called out my name within the volume I held in my hands!

"You! Reading this!" he said; "I say, my world of photographic processes and Far East travels is dying, my dear boy! The only way to save it is to give me a new name."

"BUT THAT'S IMPOSSIBLE!" I yelled, to no one in particular.

"Please, my good man! If you don't speak my new name, I shall wither away to 19th Century obscurity!"

I began to believe. I rushed to the attic window, flung it open, and yelled "MOON CHILD!" I into the misty night air. But nothing happened. I began shouting MOON CHILD! at the top of my lungs, over and over, for the next 18 hours consecutively. Finally, sirens began to blare below me. My neighbors had called the police after hearing a delusional lunatic screaming all through the night.

Long story short, don't buy this book. It's a riveting account of the life and achievements of one of photography's greatest pioneers, but it will make you into a petty thief and then hallucinate really badly, and you might possibly wind up in the drunk tank.

28 of 36 people found the following review helpful.
Excellent, Unique Study
By Carl Mautz
Clearly, Barret Oliver's book on the Woodburytype, one of the most beautiful and durable of all photographic processes, and the life of its inventor, is the product of exhaustive research. His extensively illustrated book displays a thorough understanding of a complicated process and its antecedents, of its place in the history of the medium, and of photographic and printing processes in general. A useful guide to identifying Woodburytypes and an extensive bibliography accompany his lucid expositions. Bravo!

Gordon Baldwin, Associate Curator of Photography, J. Paul Getty Museum

I have had time only to skim through it, but may I say what an impressive volume it is! And the publication itself is beautifully done. Congratulations!

Alan Elliott, Woodbury Scholar

Long overdue, this book is essential reading for scholars, historians, collectors, dealers and photographers alike. An astute and thoroughly researched account of the mechanics and history of the Woodburytype process. A tremendous contribution to the field.

Julian Cox, Curator of Photography, High Museum of Art, Atlanta

Oliver thoroughly researched history explains how the Woodburytype process works, why it was used for such a short time, and why it eventually disappeared in spite of its being called by photo historian J. S. Mertle "the most beautiful photographic reproduction process ever invented." Maine Antique Digest

See all 2 customer reviews...

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[M712.Ebook] PDF Ebook Intervals, Scales, Tones And the Concert Pitch C = 128 Hz, by Maria Renold

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Why is it that certain intervals, scales and tones sound genuine and others false? Is the modern person able to experience a qualitative difference in a tone's pitch? If so, what are the implications for modern concert pitch and how instruments of fixed tuning are tuned? Maria Renold tackles these and many other questions, providing a wealth of scientific data. Her pioneering work is the result of a lifetime's research into Western music's Classical Greek origins, as well as a search for new developments in modern times. She strives to deepen musical understanding through Rudolf Steiner's spiritual-scientific research, and she also elucidates many of Steiner's often puzzling statements about music. The results of her work include the following discoveries: that the octave has two sizes (a 'genuine' sounding octave is bigger than the 'perfect' octave); that there are three sizes of 'perfect' fifths; that an underlying 'form principle' for all scales can be found; and, most importantly, the discovery of a method of tuning the piano which is more satisfactory than equal temperament. She also gives foundation to some of Rudolf Steiner's statements such as: 'c is always prime' and 'c = 128 Hz = Sun'.

• Sales Rank: #617244 in Books
• Published on: 2015-01-27
• Original language: English
• Dimensions: 12.00" h x 8.50" w x .50" l, 1.35 pounds
• Binding: Paperback
• 198 pages

About the Author
MARIA RENOLD (1917-2003) spent her childhood in the United States, where her parents emigrated to found a eurythmy school in New York. She studied eurythmy and later violin and viola and toured with the Bush Chamber Orchestra and the Bush String Quartet. One of Maria Renold's deeply-felt questions concerned the correct concert pitch. When she heard of Rudolf Steiner's concert pitch suggestion of c = 128 Hz she put it into practice immediately, and experimented with it over many years in America and Europe. She also discovered a new method of tuning the piano, closer to the tuning of stringed instruments, arriving at the concert pitch of a1 = 432 Hz. First published in German in 1985, her book has become a modern classic of musical research.

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1 of 1 people found the following review helpful.
A Bible for The Musical Alchemist
By Shedrick
A Must Read, Learn and Apply for Anyone Seeking To Heal Through Music & Sounds

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[H627.Ebook] PDF Ebook They Did Their Duty: Four Men from Oakwood Cemetery in the War of 1812, by Cheryl E Waterman

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Lives and service of four veterans of the War of 1812 interred in Oakwood Cemetery in West Chicago, Illinois.

• Sales Rank: #4548751 in Books
• Published on: 2012-07-10
• Original language: English
• Dimensions: 8.00" h x .28" w x 5.00" l,
• Binding: Paperback
• 120 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Biographies of veterans of the War of 1812
By Diana Luellen
If you love genealogy, this is a great book chronicling the lives of a few men who fought in the War of 1812.

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