Download PDF The Complete Stanislavsky Toolkit, by Bella Merlin
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The Complete Stanislavsky Toolkit, by Bella Merlin
Download PDF The Complete Stanislavsky Toolkit, by Bella Merlin
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A revised and updated edition of Bella Merlin's essential guide to Stanislavsky.
The Complete Stanislavsky Toolkit collects together for the first time the terms and ideas developed by Stanislavsky throughout his career.
It is organised into three sections: Actor-Training, Rehearsal Processes and Performance Practices. Key terms are explained and defined as they naturally occur in this process. They are illustrated with examples from both his own work and that of other practitioners.
Each stage of the process is explored with sequences of practical exercises designed to help today's actors and students become thoroughly familiar with the tools in Stanislavsky's toolkit.
‘Bella Merlin magically converts her extensive knowledge into real-world practice and on-the-floor technique. This new edition is a necessary and lively resource for any theatre practitioner.’ David Chambers, Professor of Directing, Yale School of Drama.
‘One of the essential books about acting for both professionals and students… brings new clarity to unlocking what Stanislavsky means for actors today.’ Michael Earley, Principal, Rose Bruford College of Theatre and Performance.
- Sales Rank: #532756 in eBooks
- Published on: 2014-10-09
- Released on: 2014-10-09
- Format: Kindle eBook
About the Author
Bella Merlin has successfully combined a professional career in acting (notably in Max Stafford-Clark's Out of Joint Theatre Company) with teaching at university level (notably in Birmingham and Exeter University Drama Departments). All of this experience feeds into her book. She is also the author of Beyond Stanislavsky (NHB) and a study of Stanislavsky for Routledge
Most helpful customer reviews
6 of 6 people found the following review helpful.
Informative, Useful, and Accessible
By M. Davison
Easily one of the best books on breaking down Stanislavsky's system in a useful way.
It's not so much that there is anything necessarily new for those who are already familiar with Stanislavsky, but it is the approach that Dr. Merlin takes to present the material in a very accessible and organized way and her ability to perhaps correct some misconceptions about Stanislavsky and his views on the art of acting.
The toolkit is just that - tools for an actor (or director or student or whomever) to evaluate and use when needed. Merlin does not preach Stanislavsky's system as gospel, and neither did Stanislavsky himself. Instead this book becomes your kit full of "trays" of various tools that may or may not come in handy when an acting challenge arises. Some tools you may like and use all of the time without fail, others you may leave in the toolkit in favor of supplementing/replacing with a different approach from another source that works as a better tool for you.
It is the ease of attitude and frankness with the material that won me over with this book and Merlin's personal take on some of the tools that she has found useful or not useful in her own career.
Stanislavsky is too often misunderstood because of our own narrowness to pick and choose segments of his writings and take them out of context without evaluating the entire scope of his ideology - he was a brilliant pioneer in the advancement of the art of acting and Merlin does an excellent job of conveying his spirit through her thoughtful book and transforming his ideas into manageable tools that are so useful for any theatre practitioner today.
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